LEMME
LEMME
LEMME
LEMME
LEMME

06.06

28.08.20

Baker

Wardlaw

Contingent

Legibilities

Baker Wardlaw, Sequence/stack, exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi
Baker Wardlaw, Sequence/stack, 2020, cut UV print on corrugated plastic, 100 × 100 cm
Baker Wardlaw, Mechanical objectivity, exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi
Baker Wardlaw, Mechanical objectivity, 2020, Financial Times « Market Data » page, plexiglas frame, 32.75×53 cm
Baker Wardlaw, Repetition legitimizes, exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi
Baker Wardlaw, Repetition legitimizes, 2020, electroacoustic transducer affixed to exhibition space window, radioswisspop jingle during opening hours, variable dimensions
Baker Wardlaw, Difference in degree becomes difference in kind, exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi, Sion
Baker Wardlaw, Difference in degree becomes difference in kind, 2020, Ex-libris insérés dans des livres qui ont fait l’objet d’une donation à la Médiathèque Valais – Sion
Baker Wardlaw, Mechanical objectivity (detail), exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi, Sion
Baker Wardlaw, Mechanical objectivity (detail)
Baker Wardlaw, Mechanical objectivity II & I, exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi
Baker Wardlaw, Mechanical objectivity II & I, 2020, Financial Times « Market Data » page, plexiglas frame, 65.5 × 53 cm and 32,75 × 53 cm

 
 

A view from nowhere

Measure what you value because you will value what you measure. 

Although calculation is considered one of the most transparent and therefore reproducible forms of knowledge, it is a convention that is made, rather than given, and rests on the fundamental idea that the equivalences that numbers produce – are communal rather than relations exterior to measurement. They are created rather than given, and reflexive in ways that shapes the categories through which we understand ourselves as members of groups or as individuals.

When we speak about numbers we often use the language of distance. Numbers are abstract, hard, devoid of passion, cold or even heartless. Numbers allow us to create knowledge without the distortions of politics or feelings; they are impersonal… But despite their capacity for producing distance some numbers become obsessive objects of intense identification and internalization. Some become the embodiment of aspirations or a shorthand for identities. 

Abstraction, because it strips away so much of the local and specific, makes it easy for numbers to travel, to be put to new uses, to be inserted into new places. Numbers are also supposed to be bland and boring but that is also part of their power. 

For those that aren’t leaning into market mechanisms made legible via metrics; critique or refusal increasingly feels like a LARP; the rules of a game decided in advance, each carrying something that, although it may look like a weapon, can never actually deliver a death blow.

The value of information is best determined by the systems that interpret it.

BW

Open call: curateur·ice

Deadline: 30 mai 2025

Bourse bisannuelle 
pour curateur·ice
2026—2027

Lemme – œuvre d’art intégrée à l’architecture de la Médiathèque Valais – Sion, est également un espace d’exposition d’art contemporain dont la direction artistique est renouvelée tous les deux ans. 

Pour faire suite à la programmation de Christophe Constantin, boursier Lemme 2024-2025, la place de curateur·ice est à nouveau mise au concours. Cette bourse bisannuelle vise à dynamiser et renouveler la scène artistique valaisanne, tout en positionnant l’espace d’expositions sédunois sur la scène nationale et internationale.

Cette initiative s’inscrit dans la volonté du Canton du Valais de soutenir et promouvoir les arts visuels. Elle offre une opportunité unique à une nouvelle génération de curateur·ice·s professionnel·le·s de développer leur pratique et de contribuer au dynamisme culturel de la région. Ce programme a pour but de créer des conditions favorables au développement de carrières durables pour les artistes et curateurs·ices les plus prometteurs·es et à favoriser l’émergence de nouvelles tendances dans le milieu de la production artistique contemporaine en Valais.

Les candidat·e·s intéressé·e·s par la bourse Lemme pour la période 2026–2027 peuvent soumettre leur dossier par email à l’adresse : info@lemme.site avec comme objet «OPEN CALL curator» jusqu’au 30 mai 2025.