LEMME
LEMME
LEMME
LEMME
LEMME

06.06

28.08.20

Baker

Wardlaw

Contingent

Legibilities

Baker Wardlaw, Sequence/stack, exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi
Baker Wardlaw, Sequence/stack, 2020, cut UV print on corrugated plastic, 100 × 100 cm
Baker Wardlaw, Mechanical objectivity, exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi
Baker Wardlaw, Mechanical objectivity, 2020, Financial Times «Market Data» page, plexiglas frame, 32.75×53 cm
Baker Wardlaw, Repetition legitimizes, exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi
Baker Wardlaw, Repetition legitimizes, 2020, electroacoustic transducer affixed to exhibition space window, radioswisspop jingle during opening hours, variable dimensions
Baker Wardlaw, Difference in degree becomes difference in kind, exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi, Sion
Baker Wardlaw, Difference in degree becomes difference in kind, 2020, Ex-libris insérés dans des livres qui ont fait l’objet d’une donation à la Médiathèque Valais – Sion
Baker Wardlaw, Mechanical objectivity (detail), exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi, Sion
Baker Wardlaw, Mechanical objectivity (detail)
Baker Wardlaw, Mechanical objectivity II & I, exposition Contingent Legibilities, Lemme Art Contemporain, Pierre Vadi
Baker Wardlaw, Mechanical objectivity II & I, 2020, Financial Times « Market Data » page, plexiglas frame, 65.5 × 53 cm and 32,75 × 53 cm

 
 

A view from nowhere

Measure what you value because you will value what you measure. 

Although calculation is considered one of the most transparent and therefore reproducible forms of knowledge, it is a convention that is made, rather than given, and rests on the fundamental idea that the equivalences that numbers produce – are communal rather than relations exterior to measurement. They are created rather than given, and reflexive in ways that shapes the categories through which we understand ourselves as members of groups or as individuals.

When we speak about numbers we often use the language of distance. Numbers are abstract, hard, devoid of passion, cold or even heartless. Numbers allow us to create knowledge without the distortions of politics or feelings; they are impersonal… But despite their capacity for producing distance some numbers become obsessive objects of intense identification and internalization. Some become the embodiment of aspirations or a shorthand for identities. 

Abstraction, because it strips away so much of the local and specific, makes it easy for numbers to travel, to be put to new uses, to be inserted into new places. Numbers are also supposed to be bland and boring but that is also part of their power. 

For those that aren’t leaning into market mechanisms made legible via metrics; critique or refusal increasingly feels like a LARP; the rules of a game decided in advance, each carrying something that, although it may look like a weapon, can never actually deliver a death blow.

The value of information is best determined by the systems that interpret it.

BW

Open call: Kurator*innen

Deadline: 30. Mai 2025

Zweijähriges Stipendium
für Kurator*innen
2026–2027

Lemme – ein Kunstwerk, das in die Architektur der Médiathèque Valais – Sion integriert ist – dient auch als Ausstellungsraum für zeitgenössische Kunst, dessen künstlerische Leitung alle zwei Jahre erneuert wird.

Nach dem Programm von Christophe Constantin, Lemme-Stipendiat 2024–2025, wird die Position des/der Kurator*in erneut ausgeschrieben. Dieses zweijährige Stipendium zielt darauf ab, die Kunstszene im Wallis zu beleben und zu erneuern sowie den Ausstellungsraum in Sitten auf nationaler und internationaler Ebene zu positionieren.

Diese Initiative ist Teil des Engagements des Kantons Wallis zur Förderung der visuellen Künste. Sie bietet einer neuen Generation professioneller Kuratorinnen eine einzigartige Gelegenheit, ihre Praxis weiterzuentwickeln und zum kulturellen Leben der Region beizutragen. Das Programm zielt darauf ab, günstige Bedingungen für nachhaltige Karrieren der vielversprechendsten Künstlerinnen und Kurator*innen zu schaffen und neue Trends in der zeitgenössischen Kunstproduktion im Wallis zu fördern.

Interessierte Kandidat*innen für das Lemme-Stipendium 2026–2027 können ihre Bewerbungsunterlagen per E-Mail an info@lemme.site mit dem Betreff «OPENCALL curator» bis zum 30. Mai 2025 einreichen.